The Fault in Our Stars (Josh
Boone) ***1/2 - Contrary to what it might look like, I do not watch
EVERY movie. I haven't read the book. This movie, based on the book, is a
teen romantic comedy-drama with a cancer plot. It sounds like a sappy,
manipulative weeper that would make me wanna run as far away from it as
possible (unless of course it was directed by a director I love, like
say Douglas Sirk but he's long dead so...). To my surprise, it got very
good reviews (above 75% on Rotten Tomatoes) so I guess I *had* to see it
to see what all the fuss is about. To my surprise, I ended up really
liking it. Sure, it hits all the familiar beats but the strong cast and
witty script (courtesy of the scribes who did (500) Days of Summer and The Spectacular Now)
which manages to (mostly) maintain just the right balance of humor,
drama, quirkiness, self-awareness, heart, tears, etc. Teen romance and
cancer dramas are two genres that's so easy to crap up. For this to
combine the two and manage to not be a overly sappy, barf-inducing,
manipulative and cheap mess but instead a funny, sweet, genuinely
heartfelt film is a minor miracle. Kudos to all involved.
The Kid Brother (Ted
Wilde/Harold Lloyd/Lewis Milestone) **** - My catching up with the Third
Genius, Harold Lloyd continues with this absolutely wonderful film. The
youngest (and nerdiest) in a family filled with traditional macho men
tries to prove his "manliness" and worth at the same time trying to win
over a girl. Though Safety Last!
may still be my favorite Harold Lloyd movie (so far), this one comes
very close. The third act of this film is absolutely hysterical and at
the same time genuinely suspenseful. Harold Lloyd should not have to
stand in the shadows of Chaplin and Keaton. He is absolutely their
equal.
How to Train Your Dragon 2 (Dean
DeBlois) ***1/2 - Well, surprise, surprise. I have to say that this is
probably my favorite Dreamworks Animation feature film. Ever since they
stopped the gimmick of crafting roles for celebrity voices and peppering
it with wink-wink hip humor, their work has vastly improved. This one
is their best one yet. It continues the story from the previous film but
adding even more surprising depth, pathos and heart while still
maintaining a great sense of fun, humor and spectacle. It has some great
imaginative animation and a great voice cast too. They really stepped
up BIG time for this.
The Unknown (Tod Browning) **** -
I've been catching up on a lot of silent films lately. Just a kick, I
suppose. This is from Tod Browning, same director of Freaks
and I think this is sort of a nice companion piece to that film. A
con-man/thief/murderer posing as an armless man in a traveling circus
and falls in love with the beautiful daughter of the owner of the
circus. Things don't go well. Lon Chaney plays the armless man. He
doesn't wear any makeup or masks this time around but that doesn't
matter because he gives a fantastic performance. One scene in particular
blew me away (I won't spoil it here). Also a featuring a very young
Joan Crawford. Despite being only 50 minutes long, it's quite intense.
The Docks of New York (Josef von
Sternberg) **** - Yet another silent film! This silent film however,
somehow, doesn't feel like a silent film, if that makes any sense. It's
actually a fairly straightforward drama with a surprising amount of
dialogue (mouthed and in title cards). The story still shines through. A
stoker of a ship rescues a young woman after a suicide attempt then
marries her. It builds up to an absolutely heartbreaking and moving
third act featuring brilliant performances from the two leads. I've seen
very little of Josef von Sternberg's work and this is yet another
reminder that I need to further delve in his filmography.
Lady Snowblood (Toshiya Fujita)
***1/2 - A baby girl is born in prison and is raised to become a warrior
seeking vengeance for the atrocities that befell her mother. If Seven Samurai
is a nice expensive steak, this is a really tasty cheeseburger. This is
pure pulp and it's got over-the-top violence (damn, those blood
spurts!) and B-level cheesiness but it's tons of fun. Quentin Tarantino
borrowed heavily from this movie to make Kill Bill and I can see why. I've been liking way too many movies lately. Someone should recommend me a movie I might hate.
Noah (Darren Aronofksy) **1/2 -
The release date of this film got delayed by a couple of months due to
some legal between the local distributors. Now it's finally released,
what do I think? Well, it's an interesting film. It's clearly a Darren
Aronofsky film through and through. It's still in a way a character
study of a biblical character like what he has done in a lot of his
work. There are lots of things to admire and love about it. Clint
Mansell's score and Matthew Libatique's cinematography are exemplary, as
usual. The cast acquits themselves well. I can also see what Aronofsky
is trying to do. Expound and retell a familiar Bible story in a
different way incorporating messages on environmentalism and questions
on the nature of God (merciful vs. angry) all the while trying to appeal
to a broad audience, consciously not trying to be a dry Biblical epic.
The result is what I can best describe as an endlessly fascinating mess
that I would recommend seeing since there are flashes of greatness in
it. This is the type of film that will have both passionate defenders
and naysayers and will be argued on in film circles. I admire Darren
Aronofsky as a director but this is not my favorite Aronofsky film. Not
for Bible purists. Personally, for me, its deviation from the original
Bible story is not at all a problem.
The Wind (Victor Sjostrom) *** -
A down-on-her luck woman goes to the windy open plains to live with her
cousin. After his jealous wife throws her out, she is forced to marry a
man she doesn't love while being wooed by a married man. Lillian Gish's
outstanding performance makes this film well worth seeing. The ending
in particular is quite moving and wouldn't have worked without her
expressive face. It didn't...blow me away (hehehe) but it's well worth
checking out.
Sunday, June 15, 2014
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