Gun Crazy (Joseph H. Lewis) **** - As it turns out, 1967's Bonnie & Clyde
wasn't the first great film inspired by the story. This one came first.
It's only somewhat loosely inspired by the Bonnie and Clyde story in
this film-noirish story of two gun-loving lovers who eventually become
notorious bank robbers. It's not quite as famous as the Warren
Beatty-Faye Dunaway version but this film definitely deserves more
attention despite the fact that it follows pretty much the same familiar
tropes of anti-heroes on the run from the law. It is kind of
B-movie-ish and pulpy but the performances are actually pretty great and
the filmmaking is quite astounding, even a bit avant-garde.
They Came Together (David Wain)
***1/2 - After watching this film, I wondered why this didn't get a
wider release. Paul Rudd and Amy Poehler are very well-known names
supported by a mostly well-known supporting cast. And it's a very funny
movie. Then I realize something: It's quite unmarketable to the masses.
It's basically an often hilarious spoof of romantic comedies where every
trope and cliche is lampooned and parodied in a very vaguely self-aware
way where you either get its wavelength at once and laugh your ass off
or you get lost. This comes from the creators of Wet Hot American Summer
which has a similar comedic sensibility. I found this film often
hilarious although some parts are hit and miss but when it hits, it's
full-on hit. That said, it may not be for everybody. I highly recommend
it though.
Hercules (Brett Ratner) **1/2 - I
think lowered expectations made me like this a bit more than I thought I
would. It is after all a film starring Dwayne "The Rock" Johnson and
directed by Brett Ratner. The film sort of deconstructs the Hercules
legend with an attempt to ground it in reality and make him a more, umm,
believable historical figure rather than a figure of myth and legend.
It's not bad. But it's still far from great. The Rock is actually a
fairly decent actor, when he's being a badass action hero who
occasionally drops a zinger or two, but when he is asked to do something
emotional and deeper, he falls sadly short. The same can be said with
Brett Ratner. I can tell he wants this to be a sort of modern-day
version of Jason and the Argonauts
and whatnot. The man is trying to be Ridley Scott at certain points as
well (even hiring his costume designer). But he's just not a talented
enough filmmaker to balance the tone of serious and goofy which was
often jarring. Ian McShane steals the show though.
Monterey Pop (D.A. Pennebaker)
*** - This film documents the 1967 Monterey Pop Music Festival with
line-up of great bands and performers including the Mamas and the Papas,
Simon and Garfunkel, Ravi Shankar, Jimi Hendrix, Janis Joplin, etc. And
the music is really mostly great and the film is well-made with some
interesting visuals (which could be enhanced by certain substances, if
you know what I mean) Even though I know that this predates Woodstock
and Woodstock, the documentary, I can't help but feel that this is Woodstock-lite. Although it does contain footage of Peter Towsnhend and Jimi Hendix destroying their guitars on stage. That's something!
Man's Castle (Frank Borzage)
***1/2 - An online friend who is probably one of the biggest cinephiles I
know ranked this as her #1 film of all time. I wouldn't go that far
personally. But it's certainly a very good movie. This was made in 1933
during the Great Depression and a lot of mainstream Hollywood films
would make movies focusing on rich people or musical fantasies or about
the past. This one actually made a film about its present and its
protagonists are poor people. It's a simple story about a con
man/hoodlum/two-bit hustler who meets and falls in love (though he
tries to deny it) with a young lady. Spencer Tracy and Loretta Young
both give marvelous performances and the film balances the comic and
tragic elements expertly. It's far from my all-time favorite but it is
still a highly recommend film.
Sunday, July 27, 2014
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